Sunlit Horta Regular
TrueTypeUso pessoal
- Acentos (parcial)
- Acentos (completo)
Sunlit Horta.ttf
Tags
Nota do autor
The period around 1900 produced the Impressionists in painting and Art Nouveau in architecture and graphic design. I have always admired the Arnold Boecklin typeface, which is a remarkable illustration of this era.
So I wanted to create a font in this spirit, without falling into copying or imitating it too easily. I named it Victor Horta, in tribute to our great Belgian architect, a disciple of Eugne Viollet-le-Duc, a precursor of Art Nouveau. The present derived font is embossed and lit from the left upper side.
So I wanted to create a font in this spirit, without falling into copying or imitating it too easily. I named it Victor Horta, in tribute to our great Belgian architect, a disciple of Eugne Viollet-le-Duc, a precursor of Art Nouveau. The present derived font is embossed and lit from the left upper side.
Mapa de caracteres
Porfavor use o menu suspenso para ver os diferentes mapas de caracteres contidos nesta fonte.
Informaçőes de fontes básicas
Nota de direitos autorais
Copyright 2024 Yves Michel
Família da fonte
Sunlit Horta
Subfamília da fonte
Regular
Identificação única da subfamília
Version 1.000;;SunlitHorta-Regular;2024;FL840
Nome completo da fonte
Sunlit Horta Regular
Versão da tabela de nomes
Version 1.000
Nome da fonte do postscript
SunlitHorta-Regular
Designer
Yves Michel
Descriçăo
La période aux alentours de 1900 a produit les impressionnistes en peinture et l’ Art Nouveau en architecture et graphisme. J’ai toujours admiré la police de caractères Arnold Boecklin qui illustre remarquablement cette époque.
J’ai donc voulu créer une police dans cet esprit, sans tomber dans la copie ou l’imitation trop facile. Je l’ai nommée Victor Horta, en hommage à notre grand architecte belge, disciple d’Eugène Viollet-le Duc, précurseur de l’Art Nouveau.
J'en ai tiré la présente police embossée et éclairée en haut à gauche
_____________
The period around 1900 produced the Impressionists in painting and Art Nouveau in architecture and graphic design. I have always admired the Arnold Boecklin typeface, which is a remarkable illustration of this era.
So I wanted to create a font in this spirit, without falling into copying or imitating it too easily. I named it Victor Horta, in tribute to our great Belgian architect, a disciple of Eugène Viollet-le-Duc, a precursor of Art Nouveau. The present derived font is embossed and lit from the left upper side.
J’ai donc voulu créer une police dans cet esprit, sans tomber dans la copie ou l’imitation trop facile. Je l’ai nommée Victor Horta, en hommage à notre grand architecte belge, disciple d’Eugène Viollet-le Duc, précurseur de l’Art Nouveau.
J'en ai tiré la présente police embossée et éclairée en haut à gauche
_____________
The period around 1900 produced the Impressionists in painting and Art Nouveau in architecture and graphic design. I have always admired the Arnold Boecklin typeface, which is a remarkable illustration of this era.
So I wanted to create a font in this spirit, without falling into copying or imitating it too easily. I named it Victor Horta, in tribute to our great Belgian architect, a disciple of Eugène Viollet-le-Duc, a precursor of Art Nouveau. The present derived font is embossed and lit from the left upper side.
Licença
Free for personal use
Informações da fonte estendida
Plataformas suportadas
PlataformaCodificaçăo
UnicodeUnicode 2.0 e semântica em diante, Unicode BMP só.
MacintoshRomano
MicrosoftUnicode BMP só
Detalhes da fonte
Criado2024-09-07
Revisăo1
Contagem de glifos452
Unidades por Em2048
Direitos de IncorporaçăoIncorporação para visualização e impressão permitida
Classe da famíliaSem classificaçăo
PesoMédio-leve
AmplitudeMédio (normal)
Estilo para MacNegrito
EndereçoApenas glifos fortemente da esqueda para a direita + neutros
Padrăo naturalRegular
AfastamentoNăo monoespaçado